Dansite Reading Journal

First Paragraphs Collection

I enjoy seeing how an author chooses to begin.

Cover of Tinkers

George Washington Crosby began to hallucinate eight days before he died. From the rented hospital bed, placed in the middle of his own living room, he saw insects running in and out of imaginary cracks in the ceiling plaster. The panes in the windows, once snugly pointed and glazed, stood loose in their sashes. The next stiff breeze would topple them all and they would flop onto the heads of his family, who sat on the couch and the love seat and the kitchen chairs his wife had brought in to accommodate everone. The torrent of panes would drive everone from the room, his grandchildren in from Kansas and Atlanta and Seattle, his sister in from Florida, and he would be marooned on his bed in a moat of shattered glass. Pollen and sparrows, rain and the intrepid squirrels he had spent half of his life keeping out of the bird feeders would breach the house.

Cover of Free

I never asked myself about the meaning of freedom until the day I hugged Stalin. From close up, he was much taller than I expected. Our moral education teacher, Nora, had told us that imperialists and revisionists liked to emphasize how Stalin was a short man. He was, in fact, not as short as Louis XIV, whose height, she said, they–strangely–never brought up. In any case, she added gravely, focusing on appearances rather than what really mattered was a typical imperialist mistake. Stalin was a giant, and his deeds were far more relevant than his physique.

Cover of The Dragon's Path

The apostate pressed himself into the shadows of the rock and prayed to nothing in particular that the things riding mules in the pass below him would not look up. His hands ached, the muscles of his legs and back shuddered with exhaustion. The thin cloth of his ceremonial robes fluttered against him in the cold, dust-scented wind. He took the risk of looking down toward the trail.

Cover of The Left Hand of Darkness

I'll make my report as if I told a story, for I was taught as a child on my homeworld that Truth is a matter of the imagination. The soundest fact may fail or prevail in the style of its telling: like that singular organic jewel of our seas, which grows brighter as one woman wears it and, worn by another, dulls and goes to dust. Facts are no more solid, coherent, round, and real than pearls are. But both are sensitive.

Cover of Train Dreams

In the summer of 1917 Robert Grainier took part in an attempt on the life of a Chinese laborer caught, or anyway accused of, stealing from the company stores of the Spokane International Railway in the Idaho Panhandle.

Cover of A Pale View of Hills

Niki, the name we finally gave my younger daughter, is not an abbreviation; it was a compromise I reached with her father. For paradoxically it was he who wanted to give her a Japanese name, and I — perhaps out of some selfish desire not to be reminded of the past — insisted on an English one. He finally agreed to Niki, thinking it had some vague echo of the East about it.

Cover of The Outermost House

East and ahead of the coast of North America, some thirty miles and more from the inner shores of Massachusetts, there stands in the open Atlantic the last fragment of an ancient and vanished land.

Cover of Regeneration

Finished with the War
A Soldier’s Declaration

I am making this statement as an act of wilful defiance of military authority, because I believe the war is being deliberately prolonged by those who have the power to end it.

Cover of Slaughterhouse Five

All this happened, more or less. The war parts, anyway, are pretty much true. One guy I knew really was shot in Dresden for taking a teapot that wasn’t his. Another guy I knew really did threaten to have his personal enemies killed by hired gunmen after the war. And so on. I’ve changed all the names.

Cover of The Remains of the Day

It seems increasingly likely that I really will undertake the expedition that has been preoccupying my imagination now for some days. An expedition, I should say, which I will undertake alone, in the comfort of Mr Farraday’s Ford; an expedition which, as I foresee it, will take me through much of the finest countryside of England to the West Country, and may keep me away from Darlington Hall for as much as five or six days. The idea of such a journey came about, I should point out, from a most kind suggestion put to me by Mr Farraday himself one afternoon almost a fortnight ago, when I had been dusting the portraits in the library. In fact, as I recall, I was up on the step-ladder dusting the portrait of Viscount Wetherby when my employer had entered carrying a few volumes which he presumably wished returned to the shelves. On seeing my person, he took the opportunity to inform me that he had just that moment finalized plans to return to the United States for a period of five weeks between August and September. Having made this announcement, my employer put his volumes down on a table, seated himself on the chaise-longue, and stretched out his legs. It was then, gazing up at me, that he said:

"You realize, Stevens, I don’t expect you to be locked up here in this house all the time I’m away. Why don’t you take the car and drive off somewhere for a few days? You look like you could make good use of a break"

Cover of The Great Gatsby

In my younger and more vulnerable years my father gave me some advice that I’ve been turning over in my mind ever since.

Cover of The Day of the Triffids

When a day that you happen to know is Wednesday starts off by sounding like Sunday, there is something seriously wrong somewhere.

Cover of One Hundred Years of Solitude

Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice.

Cover of Hell Yeah, or No

You know that feeling you have after a big meal? When you’re so full that you don’t want anything more?

Cover of Walking
Walking
by Erling Kagge • translated by Becky L. Crook

One day, my grandmother was no longer able to walk.

Cover of Moby Dick

Call me Ishmael. Some years ago — never mind how long precisely — having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off — then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.

Cover of Chocky

It was in the spring of the year that Matthew reached twelve that I first became aware of Chocky. Late April, I think, or possibly early May; anyway I am sure it was the spring because on that Saturday afternoon I was out in the garden shed unenthusiastically oiling the mower for labours to come when I heard Matthew’s voice speaking close outside the window. It surprised me; I had had no idea he was anywhere about until I heard him say, on a note of distinct irritation, and apropos, apparently, of nothing:
”I don’t know why. It’s just the way things are.”

Cover of The Crying of Lot 49

One summer afternoon Mrs Oedipa Maas came home from a Tupperware party whose hostess had put perhaps too much kirsch in the fondue to find that she, Oedipa, had been named executor, or she supposed executrix, of the estate of one Pierce Inverarity, a California real estate mogul who had once lost two million dollars in his spare time but still had assets numerous and tangled enough to make the job of sorting it all out more than honorary. Oedipa stood in the living room, stared at by the greenish dead eye of the TV tube, spoke the name of God, tried to feel as drunk as possible. But this did not work. She thought of a hotel room in Mazatlán whose door had just been slammed, it seemed forever, waking up two hundred birds down in the lobby; a sunrise over the library slope at Cornell University that nobody out on it had seen because the slope faces west; a dry, disconsolate tune from the fourth movement of the Bartók Concerto for Orchestra; a whitewashed bust of Jay Gould that Pierce kept over the bed on a shelf so narrow for it she’d always had the hovering fear it would someday topple on them. Was that how he’d died, she wondered, among dreams, crushed by the only ikon in the house? That only made her laugh, out loud and helpless: You’re so sick, Oedipa, she told herself, or the room, which knew.

Cover of The Scarlet Letter

A throng of bearded men, in sad-colored garments and gray, steeple-crowned hats, intermixed with women, some wearing hoods, and others bareheaded, was assembled in front of a wooden edifice, the door of which was heavily timbered with oak, and studded with iron spikes.

Cover of All Systems Red

I could have become a mass murderer after I hacked my governor module, but then I realized I could access the combined feed of entertainment channels carried on the company satellites. It had been well over 35,000 hours or so since then, with still not much murdering, but probably, I don’t know, a little under 35,000 hours of movies, serials, books, plays, and music consumed. As a heartless killing machine, I was a terrible failure.